Online Poetry Exclusive: “The Dascomb Aerie” by Donna L. Emerson

 

(family homestead, Bath New York)

I lift the old wooden fold-out chair from the shed. Its canvas cover is faded.
I can still make out stripes of orange, yellow, red, with a thin line of royal blue
every now and then.

We walk, the chair and I, to the mound of soft grass where the house used to be.
The grass under my feet, long and shiny. It feels as it did in the 1950’s
when we sat under these same maple trees, now as then fluttering in the breeze.

I can still see aunts and uncles strewn about on cotton quilts here,
near the old house. They talk about fishing, going gliding later today,
about Eisenhower and that oddball Nixon. They laugh, telling the story
of splashing in Camel’s Creek below the farm when they were kids.
They had one bathing suit among the four of them and had to give it
to the minister’s son, who came along.

They take in summer sun, rolling leg on leg, rubbing on suntan lotion,
grooming each other. My Dad and Uncle Cecil, shirtless, boxer shorts
showing above Bermudas, lying on their stomachs. Mom and Aunt Jane,
hair pulled back with combs and rubber bands, slide their oiled hands
up and down their husbands’ backs. Other than here
I don’t see men lying down like this, close as all four in bed together.
Other than here my father never lies down, except at night.
Uncle John sits in his yellow polo shirt and shorts, sucking on his pipe,
while Aunt Betty slaps a fly on her soft knee.
Uncle Harry’s at the pond with the boys, fishing.
Aunt Helen’s gone shopping in Hornell.

Waves of heat, flush with red raspberry smell, move over us.
Grandpa’s leaning down in the berry patch in his sleeveless, ribbed undershirt
and gray post office pants, a two-gallon metal pail on his belt, picking berries.
We’ll have them for dinner and breakfast, then lunch too.
We girls will help our moms can them in jellies tomorrow.

I follow the thick, drunk flight of bumblebees on the cluster of thistle flowers
next to Grandma’s lawn chair. She says, “When we were kids
we used to make hot pads out of these. See how the thorns hold them together

They were real pretty.”
She and I put thistle flowers together to make pads for the family dinner table.
There, Grandpa will pray for five minutes while we fidget,
asking God to “…make these stories to our uses…”
that we kids never understood until last year.

 

Donna L. Emerson lives in Petaluma, California, and western New York. Recently retired from Santa Rosa Jr. College. Donna’s award-winning publications include the New Ohio Review, CALYX, the London Magazine, and Paterson Literary Review. She has published four chapbooks and two full-length poetry collections. Her most recent awards: nominations for a Pushcart, Best of the Net, and two Allen Ginsberg awards. Visit her website: Donna Emerson.com

Online Poetry Exclusive: “I Have Been Yearning For a Safe Space in the Desert” by Alise Versella

Just me

…………..The Joshua trees

And the Milky Way (no light pollution)

No noise polluting the tramways of my brain

It all runs through me

Sets my nerves to cackling like crows atop birch trees

………………(I loved the birch trees in Maine

………………And the top of Cadillac Mountain

…………………………….. Just me

……………………………………………….The rock

…………………………………………………………………And the wind

………………………………………………………………………………………………….All the Atlantic around me

                                                                                                                               

Cold and brutal and sparkling in the sun speckled between the clouds—a toad hiccupping for a sky)

 

My heel struggling over cobblestone in Dublin, musicians on Grafton Street

St. Stephen’s Green holds me still

Holds me like you never did

 

I yearn for the ways in which a place loves me

Understanding what I mean in my silence

 

I am craving the retreating of the desert

Everything strands of time suspended

………………You have to look harder for the blooming

—really listen for the gurgle and the ripple

………………Like how lately I really have to listen hard to hear my heartbeat

 

My shoulders two boulders red in the sun

I need the truth of a desert being the last place you’d look for life

And yet here we are existing

 

…………….(I am a desert now)

…………………………….But you didn’t know the flowers bloom in the spring here too

—pollination happens amongst dust

 

I am learning how to shed the husk

Of the world and let nature do its

Living—I will live better to see the stars in all their light-absorbing glory

Perhaps the belt of Orion will cinch tight the waist of my worry

 

I will become one with a memory

Between the laundered sheets of time

Spaces free of concrete suffocating

…………….Plastic bag over the mouth of breathing

 

Sometimes I feel like I am suffocating within my own body

 

Oh for the empty

……………The archeological sand ready to petrify my bones

A fossil of my vertebrae

Oh for the desert to empty my lungs—fill the night of me with a moon for its stars

 

 

Alise Versella is a pushcart nominated contributing writer for Rebelle Society whose work has been published widely. She is forthcoming in Crack The Spine and The Poeming Pigeon. Her latest poetry collection, When Wolves Become Birds,  is out now through Golden Dragonfly Press.  You can find her at www.aliseversella.com.

Online Poetry Exclusive: “Aubade” by Jesse Wolfe

 

Her brown curls heaped on the pillow,
the comforter sprawled below her breasts.
She fled into her magazine.

For a minute, motionless, he stood.
Starlings chattered in the walnut tree.

*………. * ……….*

In days they decided on a baby.
It was not the last “decision.”

* ……….* ……….*

As, like coils of hair, they each unraveled
in stories too intricate for pianos or flutes,
he strained to envision that tableau
(the floral bed spread they bought in Berkeley;
her lips almost closing, moving back apart
as she subvocalized; his own feet sunk
into the carpet)
in successive surrogates of that home:
their beach bungalow in Venice,
their box apartment in Japan …

*………..* ………..*

She lingered in the garage, assembling
their grandson’s tricycle.
He’d be out of his wheelchair next month, or not.
They’d live to see the child’s graduation, or not.
Their years living apart
would come to seem natural—an exhalation—
or always hurtful and capricious.

He returned to his music stand.
For a week he’d been practicing
the first movement of this piece by Roussel.
He could be in high school again.
Focus, repetition. No expectations
save one note tilting toward the next.

 

Jesse Wolfe teaches English at California State University Stanislaus. His debut poetry chapbook, En Route, appeared in December 2020. He is the author of the scholarly monograph Bloomsbury, Modernism, and the Reinvention of Intimacy (Cambridge, 2011) and is completing a second scholarly book about intimacy in contemporary Anglo-American fiction.

Online Poetry Exclusive: “Womb Ache” by Elisabeth Blandford

The stork does not fly over my home.
It is empty and abandoned.
It is sticky and thick.

It is barren.

I’ve watched babies,
in their baskets,
slip from my body
into the fresh white bowl.
Pink water swirls away
in a hypnotizing whirlpool,
replaced by clear, clean water.

I press my ear to the baby blue walls,
listening to the creaking pipes
where my child swims.
Carried out like a corpse in a casket of blood.

With hands pressed to my stomach
I retreat.

The rest of the day
I listen for cries within pipes
wherever I go.

 

Elisabeth Blandford is studying English for Secondary Education at Towson University. Elisabeth’s passions include reading, writing, and teaching. When she’s not reading or writing she can be found running, rock climbing, hiking, or mountain biking.

Online Poetry Exclusive: “The Woman Sitting Across Me On The Subway” by Angie Kang

The Woman Sitting Across Me On The Subway

is made of clay and she keeps sweating, making the entire car smell like earth and salt and

change. She unwraps her shawl and reties it around her head to keep its domical shape, but

the fibers dig into the clay and leave an imprint. I try not to stare. I think it’s brave to go out

being so pliable and raw, so blatantly unfinished and proudly in progress. It does no good to

go into the kiln before you’re ready to be cremated. Dry clay dust is toxic and once inhaled

settles in your lungs in silty layers until the breath is choked out of you.

 

Angie Kang is an illustrator and writer living in Providence, Rhode Island. Her writing has been published or is forthcoming in Narrative, Porter House Review, Lunch Ticket, Hobart, and others. Find more of her work at www.angiekang.net, or on instagram @anqiekanq.

Online Poetry Exclusive: “Between Sternum and Stomach” by Leah Bushman

Between          Sternum   and                     S    tom        ach

David did you hear me when I told you?      I whispered to your ancestors.             They caught

a salmon sailing           and gathered ‘round the table. They ate until delusion. Salmon came to

tell me good folk bred a fairly           common one in you.                       One two, one two,   you

caught me as I was falling. I cannot remember my calling,                but David did you hear me

whispering?          I’ve been pleading with salmon,          get back into the mouths and let them

swallow you down.       Salmon sweetly said, Darlin’ you might as well be the one who’s dead.              

And I can’t remember my calling, but I know I had mistaken it for you. 

 

Leah Bushman is a nature gazer and animal lover who rarely takes life seriously. This is her first publication. A Towson University graduate with a B.S. in English, she can be found on social media at @leahbushman.

Online Poetry Exclusive: “A Modest Revision for Wedding Vows” by Josh Lefkowitz

 

In sickness and in health

goes the common ceremonial refrain,

but I would add in boredom

and while doing day-to-day mundane activities.

 

In grocery shopping on Sunday mornings.

In folding the laundry side-by-side

with country music radio accompaniment.

 

I’m not saying this is me

at my most romantic.

But let’s be practical, too.

 

The average life expectancies:

76 for men, 81 for women.

(Lucky you, with those extra five years

and complete control of the TV remote).

 

Average age of marriage:

27 for women, 29 for men.

 

That means we’re staring down the collective barrel

of forty-seven to fifty-four years of matrimony.

Yes, I think a pragmatic revision seems right.

 

And isn’t that the real meat, anyhow?

It’s true: a car accident or cancerous cyst,

an unexpected hospital stay

will often breed the most tender exchanges.

 

We know how to love

when the threat of a too-soon end looms.

So why do we forget how it always looms?

 

Let’s practice love on some dumb Tuesday evening,

where everyone’s exhausted from stresses at work

and neither party has the patience for risotto.

 

Let’s love as we heat up the leftovers,

love the familiarity of our ten-year-old

chipped tableware which we swear to someday replace.

 

That you, in spite of the terrible nightly news,

continue to sort our paper from plastic

strikes me as an impossibly hope-filled act.

 

I’m serious! Of course I loved you then, when

you wore white, your hair an immaculate bouquet.

 

But now, decades later – remembering

how temporal all this is – I watch you

floss your teeth for the ten-thousandth time

and my skin can still turn to gooseflesh.

 

The Parisian honeymoon’s a distant memory, and yet

I would not want to be anywhere other than here:

you putting on your nighttime t-shirt,

the one with the Rolling Stones logo

and a little hole in the shoulder material

through which your skin beneath shines.

Sometimes, I still can’t believe that I get you

to have, and – come here – to hold.

 

Josh Lefkowitz was born and raised in the suburbs of metro Detroit. His poems and essays have been widely published online and in print, including in The New York Times, Electric Literature, Washington Square Review, Painted Bride Quarterly, Rattle, The Millions, The Rumpus, and many other places, including journals in Canada, Ireland, the United Kingdom, Germany, Australia, and Hong Kong. This is his third publication with Grub Street.

Online Poetry Exclusive: “Our Sockets Won’t Stop Bleeding” by Leah Bushman

Wendy on my wrap around porch saw you first. 

Wendy on my wrap around porch saw you first. 

Saw the dust flying from the back of your pickup truck. 

Saw the dust flying from the back of your pickup truck. 

Wendy first, saw the dust of your back porch

wrap around the flying pickup truck from on my. 

 

Your eye socket black as coal pierced me, I think you are my soul 

your eye socket black as coal pierced me, I think you are my soul 

mate is the coupling of two same souls, shame is the mirror I hold. 

Mate is the coupling of two same souls, shame is the mirror I hold. 

Eye coupling black shame I hold of two are mate,

mirror socket pierced same souls, coal is you think the.

 

You leaned in to kiss me and your socket had grown an eye gone crooked. 

You leaned in to kiss me and your socket had grown an eye gone crooked. 

You pulled back searching for a pain, plucked out a tooth wriggling with worm. 

You pulled back searching for a pain, plucked out a tooth wriggling with worm. 

Kiss me you searching pulled pain, wriggling with your plucked back socket. 

Crooked worm grown a me and had an eye gone tooth.                       

 

Wendy saw me and you coupling, first had shame flying around mirror sockets.

Dust your porch of pain, pickup the worm grown searching of a mate,

a soul pierced black with truck coal is wriggling on my crooked. 

Kiss an eye I hold a tooth pulled back.

Plucked you from wrap leaned think,

gone are the same two socket of me.

 

Leah Bushman is a nature gazer and animal lover who rarely takes life seriously. This is her first publication. A Towson University graduate with a B.S. in English, she can be found on social media at @leahbushman.

Online Poetry Exclusive: “Baby Boomers (False Flags)” by Scott Laudati

Saturday night and London blows up.

France takes a bye this week.

New Jersey sleeps tight

and I tell my father

it’s only a matter of time

before

a taco truck with Haliburton stamps

runs down a few Chinese tourists

and a white girl from Indiana.

They’ve done it before

I say –

they print money

and detonate explosives

from the ground floor up.

Put your hand to your heart

and thank god for Walmart.

Is that Him out there?

No.

It’s another talking point to get

your kids on your knees

so when your head rolls

into their laps

your sacrifice

will have some meaning,

and you won’t look like the other fools of history

who died for nothing.

 

The trumpet sounds over a

misty DC morning.

A frozen yogurt stand

hands out extra sprinkles.

The kids lick up icing

while the buildings fall down.

But they didn’t see any planes

in the sky.

It was just like last time.

The parents burned their books

and checked themselves into camps

and smiled at the barbed wire

and said, “It won’t happen here.”

 

Scott Laudati is the author of Hawaiian Shirts In The Electric Chair REDUX (Cephalo Press). Visit him on social media @ScottLaudati

Online Poetry Exclusive: “Dinah” by Millie Tullis

 

…….And he took her, and lay with her, and humbled her. (Genesis 34:2)

 

daddy knew right away

sat me down and said

is this a good boy

 

it hurt to sit

i am thirteen

i am crying

 

am i crying

if i start

i can’t stop

 

daddy said

they’re good people

momma put on her hat

 

followed him out

good people

we are

 

………..my best friend home

………..sick that day

………..i walked the short cut

 

………………..it was a new dress

………………..pretty as a picture too 

………………..much pink in the trees

 

momma says 

i’m getting married 

i can’t go to school

 

for the baby i gotta 

rework some old things 

stitch up some new things

 

the small white socks

i make with one

long thread

 

………………..my brothers are angry

………………..at him comin

………………..to sunday dinner 

 

………………..daddy won’t 

………………..let them get

………………..a word in

 

………..someone don’t

………..come home 

………..that night

 

Millie Tullis is an MFA poetry candidate at George Mason University. Her work has been published or is forthcoming in Sugar House Review, Rock & Sling, Cimarron Review, Ninth Letter, Juked, and elsewhere. She serves as the Assistant Editor for Best of the Net and Poetry Editor and Social Media Manager for Phoebe. She also reads for Poetry Daily. You can find her on twitter @millie_tullis.