Froth by Trevor Plate

                                          *
 
Not the first time I loved you, just the first time I met you.
Your breath like dead fish pickled in your alcoholism.
Your knuckles raw from beating someone up the night before.
Your long hair greased from stress and hours.
A single word etched into each of your twelve teeth:
 
I  was  born  to  die  alone  these  thoughts  are  not  my  own
 
I made you smile three times to read the whole poem.
It wasn’t hard to do: smile first
and laugh at a thing you said. I don’t remember what it was.
That makes me a bad person. Worse than you maybe.
I don’t usually fall in the dark
but in the freak of the night I had a pang—
a longing to believe that we are more than they claim
or at least that one of us might be.
 
                                                *
 
Not the first time I loved you but when I was deep in love with you.
My hand, caught in a bad dream, running across the metal plate
that the doctors placed above your burning brain;
the times you tried to drain the ghosts yourself
through the holes someone made in your skull.
 
But  they  could  not  see  you  so  the  help  was  only  hurt
 
And if I’m being honest, there might have been a sliver of me
that wanted to believe certain people are unlovable
so I might could maybe call myself a miracle worker.
Your swollen foot pressed deep into the gas pedal.
The speedometer breaking; the ignited city pulsing through us.
You screaming at the windshield that you wanted to murder the whole world.
And it would be easy enough to be horrified but instead
I only whispered in your ear that crows don’t fly south for the winter.
 
                                                *
 
Not the first time I loved you, just the first time I doubted you.
When you tried to drown me in the bathtub, calling it the ocean.
Calling it a baptism or a long time coming.
Your skin turned lizard beneath the bathroom lighting
and as I lay there, supine and scared, I began to notice:
 
All  this  violence  was  too  vague  all  these  fears  were  too  specific
 
And what scared me wasn’t you and it wasn’t dying
but something threatening in the underbelly of the water.
My reflection choking on the air above me.
I wanted to sink to the bottom of the ocean.
I wanted to rise to the top of the atmosphere.
Then you let go of my chest
and I rose to meet myself in the space inside the surface tension.
I took a breath and saw you wrapped up in yourself crying on the floor
and I pulled the plug and watched the water flow down the drain.
 
                                                *
 
Not the first time I loved you but the time that I left you.
We drove all night and lay in the dying dark;
I, drunk and hungry, you coughing up blood onto the side of the freeway.
As daylight suffocated the stars
I ran my aching tongue along your teeth:
 
I  was  born  to  die  alone  these  thoughts  are  not  my  own
 
The birds began to sing the morning and I felt your breath turn heavy
and my left hand pulled the keys from your pocket
as my right hand circled the broken circle of your face.
The engine humming, the road passing beneath me, you alone in that ditch.
This makes me a bad person, worse than you maybe.
I didn’t think about the first time I loved you.
I didn’t think about anything at all, only stared ahead.
The planet curved with cruelty, carrying me with it.
 
                                                *

Trevor Plate spent his childhood on the island of Guam before moving to the mainland at eighteen. Now he lives all over the country while he continues to write poetry. His poems have previously appeared in Maudlin HouseBoston Accent, and The Ilanot Review.

A Soft Splendor by A.M. Kennedy

Melt the gold between your palms
and smear it on everything you love:
your hips, your lips, the soles of your feet.

This month I am sick of sand and sun and callouses;
in my dreams I am new skin, tender and thin.
The fluttering of my heartbeat rises in every place
my angles meet, and anyone could see
how desperate they blush to be touched.

A fist I took once to make me ice
has instead made me fire, reduced cinder,
liquid in the rains, the shade of dried blood.

I bite the open hand, climb the fence instead of going though,
lie on my back and close my eyes to imagine it differently.
I cannot be made into granite no matter how long I stand still;
the bees and blooms crawl up my knees and drape me in honey
too heavy to bear, too sweet to eat. 

Melt the gold between your fingers
and press it to everything you hate:
the curve of your stomach, the length of your throat,
the lines time has carved onto your face.

I breathe in black and blue until the bruises bloom and then wilt,
the fat sunrise rests its face against the ocean, tired too,
in a better world the dawn remakes me,     new.
 
 

A.M. Kennedy is a writer and painter from Tampa. She specializes in precariously stacking books and half-finished tea mugs. She has been previously published in 3Elements Review,Popshot Magazine, and The Burningword.

Small Matters by Rebecca Wesloh

Leah and Cecelia, two teenage girls, sit buried in two chairs next to each other. They spend the entire time on their phones, not looking up. Brief pauses are taken between each dialogue break in which the girls continue scrolling through their phones.

Leah: Did you see Beth got her hair cut?
Cecelia: No. Let me see this. -pause- oh no.
Leah: I know, tragic. And she was supposed to have her date with Oliver on Friday.
Cecelia: We’ll see how that happens. If that happens.

Leah: Oh this is a cool picture.
Cecelia: What is it?
Leah: It says it’s from the Demilitarized Zone between North and South Korea.
Cecelia: Wow. It’s so empty. It is beautiful, though.

Cecelia: Why did Suze post a picture of a horse?
Leah:  It’s the new horse her dad got her.
Cecelia: Her dad got her a horse?
Leah: Yeah, he felt bad that he hadn’t seen her in a year after he lost custody in the divorce.
Cecelia:  If only my parents were divorced.
Leah: I think he might have had to go to rehab.
Cecelia: Still a fucking horse? Imagine what else she can get.

Leah: Did you hear about all the cutbacks to student loans? Now, like, practically no one can get financed.
Cecelia: LOL, there goes college.
Leah: Like we ever had an actual future to hope for.

Cecelia: Oh no, Denny has to go to court.
Leah: Not Denny, no! What did he do?
Cecelia: He was texting and driving. Again.
Leah: I saw his snap-story. He was actually snapping while driving last time.
Cecelia: Ah, Denny. Is there any hope for him to ever learn?

Cecelia:  Did you see the news this morning?
Leah: Are you talking about the townhouse fire in the city? My mom told me about that over breakfast.
Cecelia: No, the mass shooting in Des Moines. 21 people were killed; they were saying about 40 others were wounded.
Leah: Another one?
Cecelia: Yeah, another one.
Leah: People need to chill the fuck down. Love each other. Stop shooting.
Cecelia: Tell me about it.

Leah: I took that “choose your dream shopping spree and we’ll tell you how old you really are” quiz.
Cecelia: And? What did you get?
Leah: Well, according to this, I’m a senior citizen.
Cecelia: Seriously?
Leah: “You are an old soul at heart. Your care for others is deep and grandmotherly to its very core. Your ideal day includes baking, watching birds, spoiling your grandkids, and watching some ‘Judge Judy.’ You might not admit it, but you have that stash of strawberry hard candies tucked away in the bottom of your bag. Everyone looks to you as a source of wisdom and cookies.”
Cecelia: I can’t. No. I just can’t.
Leah: Hey. Respect your elders.

Cecelia: Carter just posted a picture. His dad is in the hospital.
Leah: What happened?
Cecelia: Apparently he swallowed a bunch of pills and overdosed. They aren’t sure if he was trying to kill himself or what.
Leah:  Wow. I wish there was something we could do.
Cecelia:  I know. But what can we do?
Leah: I don’t know. Everything I can say at this point has already been said. And besides it’s all stupid, meaningless clichés.
Cecelia: Oh well. I sent him a text. I used a bunch of those little praying hands emojis.
Leah: Yeah, that’ll definitely help.

Leah: Did you see Karie got a new little dog?
Cecelia: A puppy? Let me see this cutie.

[I could paint some surreal image] by Alison Hazle

I could paint some surreal image
of this room—how the sun latches
to my back on the walk inside, how I screw it
into the lamp and how it sprouts
the seeds I scattered
across the floor. I could say it stays there
and keeps this room warm. I could say it lives there      
until the ceiling tiles part
to reveal the moon.
I suppose this naked gap could allow
for fog to pile on top of us, for us
to shape it into Queen and Queen
costumes, able to play dress-up
again. Perhaps crickets could come
next, the rub of their thighs
to replace the hum of machines.
But this all would be dishonest.
There is really a dresser with photos,
there is a bible stuffed with letters,
sometimes there are visitors who know
my name. There is the sharing of memories
and alcohol and alcohol. There is a wooden
box with a keyhole. In the corner is a window
with the shade always drawn
and a bed that seems to grow larger
but never wide enough
for me to lay against her.

Alison Hazle is a poet/writer and art school survivor. She plans to pursue an MFA somewhere far away from Baltimore.

What Am I If I Am Not by Micaela Walley

What am I if I am not
a girl? The pulpy body
of a dead sea mollusk,
dissolving?
             Am I crunchy?
                          The shell it left behind,
                          rotted in,            shouldering
                          deception?
What if I am made
from other shells, who
were made from mother shells,
who were stepped on so often
             that the gravity of their woman
           bones             collapsed in, made dust
                                  of themselves
                                                  beneath
                                                  the boot of a man I have
                                                  never met but can feel
                                                  still in the tips of my hairs
                                                  anytime someone asks me
                                                                              what I am?

Micaela Walley is a graduate from the University of South Alabama. Her work can be found in Oracle Fine Arts Review, Occulum, and ENTROPY. She currently lives in Hanover, Maryland with her best friend—Chunky, the cat.

[After my husband died, I did not] by Tim Neil

After my husband died, I did not
eat anything for two days.

Hunger felt familiar after years
of marriage to an echo.

On the third day, I just wanted
to make a simple meal.

I had no pasta, no fine bread,
just American cheese, a garlic clove,

and one fucking egg. He had left it
for me, along with his yolk-crusted

pan soaking in the sink. The last argument.
In his dictionary, underneath the word

“consideration,” he saw one pale egg
nestled neatly in the cardboard carton,

like a piece of fallen moon in a desert crater.
I pocketed the egg with care, and left

our cramped cottage.
I drove past the grocery store and football fields,

until I reached his new bed of silence.
If he were alive under the dirt,

his snores would wake the neighbors.
The crows in the distance made jokes

about me. They thought I was another clinging
widow. I cracked the shell on his tombstone,

watched the yellow dot the sod.

Tim Neil is a recent graduate of Towson University, where he received a BFA in Acting. He lives in Baltimore, MD.

Zion in El Salvador by Emely Rodriguez

Abuelita wraps me up in tamalitos, so warm,
But she cools me down with Fresa Tropical, ah
Canciones de mariachi cry in the background, and we
Dance like we’re wearing clothes made of cucarachas
Executing imprecise movements like forced twitches
Fixating, fixating, fixating, on las guitarras
Gently strummed, unlike the singers’ vocal chords
Harsh, hoarse, heartfelt vibrations that tingle my eardrum
I’ve never seen tears fall in tune to a beat like this before
Just watch my mother’s head sway back and forth
Knowingly imitating the tapping of the performers’ feet
Like her body embodies the songs of melancholic mariachi
Musical notes invading her bloodstream, her lagrimas shine
Nosotros – felices en nuestras vidas sencillas
Oblivious to our nearing flight departure
Persistently ignoring the dates on the calendar
Questioning what life could have felt like before this
Repressing the thoughts of once existing outside of this
Sin mi país bellísimo, sin mi país, sin mi
This is my people’s holy land, but it doesn’t feel mine
Unfathomable experience of being both free and shackled
Vulnerable with no country, vulnerable within it
Withholding parts of my soul, trapped in two places
Xenophobes in two nations targeting parts of me, I’m just
Yearning for my country to be mine.

Emely Rodriguez is a Latina writer from the D.C. / M.D. area. She is in her first year of the Creative Writing and Publishing Arts MFA program at the University of Baltimore, focusing on poetry. Her work has been published in 45th Parallel, The Voices Project, and Welter Magazine.

“Aria” by Sam Regal

Sometimes I’m shopping online, which is something I love to do, shop online, as every store is a new puzzle to solve, like, which clothes would I buy if I shopped here, and sometimes I end up buying the clothes, so I guess you could say it’s very meta and works on a few levels, and I stumble across something that I didn’t know I needed, like, say, a black bardot crop top, and it’s like suddenly I’m meeting the lord Jesus Christ or found the path to Enlightenment because I feel, out of nowhere, absolutely convinced that this is the one clothing item I have always been missing, like since infancy or conception, and that having this thing, wearing it but really just the owning it, the possessing it, will finally Change My Life in the ways I’ve been waiting for it to change, and it’s like I enter a fugue, I short circuit, I hit “purchase” and there I am, sort of shocked, addled, kind of post-coital, like exhausted but satisfied but not totally satisfied, and if I’ve ordered, say, a pair of bright pink palazzo pants that I know will need tailoring and I know I will never tend to, I feel itchy, and blue, and a little dumb, maybe, or sexless and vast like the last woman on Earth, and I start wondering after creepy stuff, like regarding my personality and whether I am worthy of love despite all the raisins in my bed, and I open another website and hope I don’t get struck by a thunderbolt of object fancy but sometimes I do, sometimes it happens, I hit “purchase” and the cycle repeats itself, and has been, really, repeating itself for some years, you should see my dresser, the drawers don’t close, they’re all overstuffed with shit, with pink and sateen fabrics that I don’t wear or know what to do with, that I drape around my hips like a hand, like a gift, and I know, at least at home in the mirror, alone among my things, objects too precious for this city with its leers and grime and violence and dripping virulent ugly, that I am beautiful, a Chaos void spotlit in pink, singing my body’s sweeping arias.

Sam Regal is a playwright, poet, performer, and recent transplant from Brooklyn to Athens, Georgia. Her translation of Yao Feng’s One Love Only Until Death was published in 2017 by Vagabond Press, and her poetry has appeared in or is forthcoming from SumThe Wild WorldNoD MagazineLucent Dreaming, and elsewhere. A former resident at TENT within the Yiddish Book Center, Sam was awarded the Colie Hoffman Prize in Poetry in 2017. She earned her M.F.A. from Hunter College and now studies within the Creative Writing Ph.D. Program at the University of Georgia.

“buying cocaine for **** *******” by Scott Laudati

i was just about to quit for good.

it was another day carrying bags

up and down stairs

while guests stood

in front of the elevators

and complained that they

were taking too long.

guests who had just gotten done

bitching about the lobby,

that the air conditioning

“was too cold,”

that new york had

“too many rats.”

 

usually i skipped the elevators

and hoofed it up the stairs

with their luggage strapped

to each shoulder.

it gave me five minutes without them.

and if they’d already pissed me off

i might accidentally

drop their bags a few times.

 

i wouldn’t even wait for them

at their rooms.

it was the same story every day.

they had no cash

or they only had euros

or they would pretend

to forget my tip altogether.

but that night i didn’t

punish the bags,

i just left them on the floor

and decided

“i’d rather be homeless.”

 

there were always windows

you could open

and step out onto fire escapes

for a quick leap,

or empty rooms

with fresh sheets and

high rafters.

but that night was the first time

i realized you could just walk out.

it wasn’t against the law yet.

 

i thought about it on the way

down the stairs,

and i probably would’ve done it

but then i saw her in the lobby –

a famous actress i’d had a crush on

since the days

we bought tickets for

singing animal movies

and then slipped into

the r-rated theater

when no one was looking.

 

i grabbed her bags but i didn’t

take the stairs,

i stood right next to her

the whole way.

“how’s your day going?”

she asked.

“terrible,” i said. “i was just about to quit

and then you walked in.”

she smiled.

i had said the right thing.

i couldn’t believe it.

i looked back at my coworkers.

they couldn’t believe it.

 

when we got to her room

i asked her if she’d ever been

to new york before.

of course she’d been to new york.

hell, she was the girl i thought of

when i thought of new york.

but she laughed.

everything that came out

of my mouth was stupid,

but it was coming out right.

 

“what else do you do?” she asked.

i told her i was a writer.

“what are you working on?”

“i just had a book published,” i said. “would

you read it?”

“a real book?” she asked. “sure.”

 

i kept about 30 copies of my book

in a locker

downstairs for just this reason.

i went to get one

and there was some crisis

in the lobby.

my manager asked me for help

but i shook my head.

there was more at stake

than keeping my job.

 

when i handed my book to her i said,

“they’re poems, but they don’t, like, rhyme.”

she gave me a $10 tip

(the most i’d ever been paid for my writing)

and i left,

wondering about this world i had entered,

always surrounded by

fame and money

and none of it ever crossing over.

 

we never had a lunch break

at that hotel,

you just left

whenever you wanted

and when you got bored

you went back.

this was down on ludlow street

so i walked to the cake shop

and ordered a budweiser.

it was happy hour and the bartender

slid two in front of me.

 

i was pretty drunk after

an hour of that.

 

my phone was buzzing the entire time

but i ignored it.

when i got back the girl

at the front desk jumped up.

“where have you been?”

“working.” i frowned.

she called down!” the girl said. “she wants you

up in her room.”

 

i rode the elevator looking at myself

in the reflection

of the brass doors.

this was my moment.

she’s read my book, i thought.

she’s going to take me away from

all of this.

 

her door was open when i got there.

a guy was sitting on the floor

strumming a guitar.

he wasn’t good.

she introduced us and i could tell

by his indifference he was some

la kid,

born rich,

and all he had to do

was be at that right club

on the right night

and now she was his.

 

“you’re a great writer,” she said. “that’s why

i need your help.”

i was a bellman,

i would get fired

if i didn’t do what she wanted,

and usually, this meant

i would get arrested

if i got caught.

 

“i need to finish a script,”

she said. “can you get me a bag?”

i swore i’d never do it again,

but what the hell?

 

“how much

do you want?” i asked.

the guy with the guitar was

finally interested.

“get two,” he said.

 

she handed me $300.

 

it was a new hotel and

i’d never bought coke

in that neighborhood before.

janis was my favorite cocktail waitress

and she was running

the lobby bar by herself.

but janis was a soldier.

i told her what i needed

and she left her customers and

took me to another bar.

“i know a guy

with the best coke,” she said.

 

i looked at her nose.

i watched her inhale a cigarette.

janis had a beauty that ran so deep

all her hard work

couldn’t betray it.

 

she took me to max fish and

her guy charged $100 a gram.

that was a crazy price

and the bag looked really light

but janis had done me a solid

so i gave her $50

as a thank you.

 

when i got back into the lobby

ben stopped me.

“we’ve got to try it out,”

he said. “you can’t give

her a bag of shitty blow.”

we went up to the manager’s office

and did a bump.

then another.

“never forget,” ben said, “they’re paying us

to snort this right now.”

 

i went up to her room and

she opened the door, drunk.

“do you have a dog?” she asked.

i knew she was one of the

adopt or die types

so i said “yeah” but

i didn’t elaborate.

she told me a whole story

about white people

and how they’re the first

ones to get rid of their dogs

when times get tough.

“i hate everyone,” i said. “people

don’t deserve dogs.”

she liked that.

she took the coke and kissed me

on the cheek.

 

the next day she told me

she was getting an apartment

around the corner.

it sounded like an invitation.

“i’m leaving new york,” i said. “why do you

only get the girl

after you buy the plane ticket?”

the la guy parked a convertible

against the curb.

“that’s too bad,” she said. “it

could’ve been fun.”

then she walked past me

and threw her suitcase

into the backseat.

she blew me a kiss as she sat

in the passenger side

and put her feet up on the dashboard.

“it could’ve been fun,” she yelled.

 

the staff looked at me,

waiting for an explanation,

so i gave it to them.

“all the poems in the world won’t buy you

a convertible,” i said. “i don’t know

how many times

i have to learn that lesson

before i stop

trying.”

 

 

Scott Laudati lives in NYC with boxer, Satine. His writing has appeared in The Stockholm Review, The Columbia Journal, and many others. Visit him on Twitter or Instagram @Scott Laudati

Thick Paint and Heavy Thoughts: Art Collection

By Liza Julia Dennis, Spring 2019 Art Editor

The Carly Simon Album – oil paint
Creamy Skies – oil paint

A message from the artist:

With everything going on in the U.S., I just want to say that maybe it’s time we put our phones down for longer. Maybe it’s time we see the ones we love more often instead of texting them. Maybe it’s time we enjoy life for every second we have here instead of wasting it unthinkingly and carelessly. Let’s be genuine. Let’s be strong for the ones who are weak. Let’s be the voices that these kids deserve. Notice that the things going on in your life are temporary, so drive a little slower, use more caution, hold the door for others, and look up and smile when you walk around. Don’t get so mad when something goes wrong, remind yourself that someone always has it worse, refrain from using negative words, and forgive easier now so you can love harder later. Everything will always be okay. Get your head out of your devices and live this life with raw emotion and joy. Stop saying offensive words like “retard” because we can easily make the difference that others want to see, as they are capable of making the difference we want to see. We are born to adapt and with that comes the ability to make others feel more comfortable. Ask people how they are, because this is important. Do at least three selfless things a day. We must work together to make this world safe and bring peace. And on my last note, our generation has this tendency to say things like “fml” and “kms” often and nonchalantly. We need to understand that this life is the longest thing we will ever experience. Don’t wish for it to end; don’t joke about it. Don’t fail to recognize how precious every second is and how lucky you are to be exactly where you are at any given time. Know that you are breathing, have shelter, and are loved. So forget the cliché “life is short.” Your life is long. So breathe, relax, inhale and exhale, take things one at a time, and, most importantly, slow down. Make sure you are happy and continue to live, not just merely exist. 

With much happiness,
Liza Julia Dennis