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Edelweiss Calacagno, MFA Interdisciplinary Candidate, with a concentration in printmaking, painting, and sculpture, has just been accepted into the 58th Venice Biennale Art Exhibition 2019! The International Art Exhibition, titled May You Live In Interesting Times, is curated by Ralph Rugoff and organized by La Biennale di Venezia chaired by Paolo Baratta.  The exhibition will take place from May 11-24, November 2019 (Pre-opening on 8, 9, 10 May). Read more…

Artist Statement: My primary interest in abstract art is using a variety of techniques in painting, printmaking and sculpture. I utilize all kinds of material, including recycled ones, in order to convey my ideas. I explore how the intersection of different planes and line shapes can create illusions within distorted shapes, objects, letters, and words. Layering is an intrinsic element in my work; creating multiple perspectives gives the viewer more than one way to view my art. I use abstract art as a tool to talk about abuse, with the layers representing aspects of abuse and abuse survivors. By addressing abuse through my art, I strive to make people more aware of this taboo subject so that they can better understand and talk about it.  I also use different symbols to talk about this subject, such as the destructive act of tearing up or scratching my own prints and paintings, designs that mimic jail bars, feathers that represent bleeding wounds, and the layering of a variety of colors representing the changes in the life of a person. Learn more about Edelweiss Calcagno.

“Since the nineteen-sixties and seventies, New York’s experimental-theatre scene has toned down its wild-man character, but Lee Breuer is the grand old man of the movement.”—The New Yorker

Since he first arrived on the New York art/theatre/performance scene in 1970, Lee Breuer has been at the forefront of the American theatrical avant-garde, creating challenging works both independently and with Mabou Mines, the company he co-founded with JoAnne Akalaitis, Philip Glass, Ruth Maleczech and David Warrilow. Breuer’s work as a director has included celebrated stagings of Samuel Beckett, radical readings of classics including The Gospel at Colonuson Broadway in 1988, a gender-bending adaptation of King Learin 1990, and his revolutionary reinterpretation of Ibsen with Mabou Mines Dollhouse.

Theatre historian and journalist Stephen Nunns has assembled a unique look into one of American theatre’s most singular creative minds. Using interviews and excerpts from Breuer’s writings, with added historical commentary, the thrilling result is equal parts autobiography, artistic manifesto, and critical exploration. Beautifully illustrated with archival photographs, drawings, and sketches, this is a one-of-a-kind portrait of the artist and theatrical activist at work.

Biographies:

Lee Breuer is a founding co-artistic director of Mabou Mines Theater Company in New York City. His best-known work is The Gospel at Colonus, a Pentecostal Gospel rendering of Sophocles’ Oedipus at Colonus. He also authored/directed Mabou Mines’ trilogy, Animations, which included The B Beaver, The Red Horse, and The Shaggy Dog Animation (Obie Award for Best Play), as well as A Prelude to a Death in Venice (Obie Award for script and direction), and An Epidog, the winner of the President’s Commission Kennedy Center-American Express Award for Best New Work.

Stephen Nunns is a professor at Towson University. He is the author of Getting Off: The Work and Life of Lee Breuer, published by the Theatre Communications Group. His other book, Acting Up: Free Speech, Pragmatism, and American Performance in the 20th Centuryby LFB Publishers in 2010. He is the co-founder of The Acme Corporation, a Baltimore-based theatre ensemble, where he has directed and co-directed a number of award-winning and critically acclaimed productions. He has also directed plays at Single Carrot Theatre and Iron Crow Theatre. Before coming to Baltimore, Professor Nunns lived in New York City for fifteen years, directing, writing, and composing music for theatre pieces at a variety of off-off Broadway venues, including HERE, the 78th Street Theatre Lab, The Ontological-Hysteric Theater, and Dance Theater Workshop. He was an associate artist at the seminal avant-garde theatre company Mabou Mines, where he created theatre pieces, including the Obie Award-winning The Boys in the Basement. He was an associate editor at American Theatre Magazinefrom 1995 to 2000.

Release date: July 16, 2019 | Pre-order your copy on Amazon today: Getting Off: The Work and Life of Lee Breuer