Breathing is universal

Embody
Image: Embody, Erica Hansen, 2012. Description: X-Ray photo of Shodekeh’s lungs taken at Harbor Hospital.

Listen Now: Shodekeh Talifero Gives a Master Class on Breath Art

For the last few years, I’ve been exploring the possibility of something much deeper taking place at the core of my practice as a Beatboxer and Vocal Percussionist and found that breath is at the very center and foundation of what I do. This has inspired me to go deeper into how breath has been and can be used creatively beyond the functional necessity of it all, in music, dance, art, speech, meditation, and so on. So when Covid-19 emerged, and the centuries-long narrative of people of African descent living in an institutional & ideological chokehold around the world re-emerged, my practice and research of Breath Art has become a much larger focus of how I see everything around me.

by Melissa Katz ’19

Breathing is universal, but not only that, we live in a “Breath Culture” all over the planet, with each other, our environments, everywhere, and our current way of thinking, appreciating and understanding our relationship with the air that we breathe will probably never be the same. So if breath can be thought of as an artistic medium all unto itself, which is what I maintain Breath Art to be, can it also be weaponized in a way to fight back against these systems of crisis and oppression?

Before the world caught on fire, I was already experiencing a deep, personal crisis of my own, which became amplified by everything going on around the globe, but I’ve also never been more inspired and activated by the very air I breathe and the way I use it as a musical creation of expression and intention. Clearly the air that surrounds me every single day is a constant reminder and reflection that there is something much bigger than myself that I need to focus my energy on.

I don’t have a single moment or experience of air to waste. I have to strike with everything that I have inside of me, right now…

–Shodekeh, Innovator-in-Residence

About

With 34 years of personal, professional and community-based experience, Dominic “Shodekeh” Talifero continues to make musical strides as a groundbreaking and highly adept Beatboxer, Vocal Percussionist and Breath artist who pushes the boundaries of the human voice within and outside the context of Hip Hop music and culture.

Shodekeh currently serves as TU’s very first Innovator-in-Residence anchored by the College of Fine Arts & Communication, allowing him lecture, collaborate, experiment & perform within the departments of Music, Art + Design, Art History, Art Education, Dance, Communication Studies, Electronic Media + Film, Mass Communication, Theatre Arts, Arts Integration & Interdisciplinary Arts Infusion, as well as the Asian Arts & Culture Center, the Community Art Center & the Center For the Arts Galleries.

Biography  | Follow Shodekeh on Facebook  | shodekeh@gmail.com

Weavers Guild of Greater Baltimore

Susan E. Picinich, Dean of the College of Fine Arts and Communication, has been working hard on her loom this spring. As a member of the Weavers Guild of Greater Baltimore, Dean Picinich will have pieces in the Anniversary show this summer.

My fiber art will be on display in the Weavers Guild of Greater Baltimore 70th Anniversary Show from July 5 to August 31, 2019.  There is an opening reception on July 11 from 6:30-8:00 p.m. with demonstrations of weaving and spinning.  The show is at the Baltimore County Arts Guild, 1101 Maiden Choice Lane in Baltimore 21229 www.bcartsguild.org

As a costume designer, the fiber arts have always been part of my world through sewing, dyeing, surface embellishment, and clothing related crafts.  In graduate school at the University of Michigan I took Weaving and Fabric Design with Sherri Smith.  I continued learning to weave as a new Assistant Professor at Western Illinois University with Art Professor Jo Sanders.  But my fiber work took a backseat as my academic and free-lance design work intensified.  Now I am working as an artist again, anticipating my new faculty role.  In the past year I joined the weaver’s guild, took workshops, and made Shadow Weave towels to enter in the 70th Anniversary Challenge Heirlooms category.  Now that I’m back in the swing of weaving, my next project is a series of sculptural bodices or corsets representing female archetypes.  The pieces will be woven of rags and shaped on the loom using the pulled-warp process.