Kudos to Nancy Siegel

We have exciting news to share on behalf of Nancy Siegel, Ph.D., Professor from the Department of Art + Design, Art History, Art Education at Towson University. Dr. Siegel has been elected as a member to the American Antiquarian Society (Worcester, MA)—a learned society and major research institution founded in 1812. This is an honor bestowed upon scholars in the humanities for distinguished contributions in research.

In addition, she was recently awarded a grant from the TU Faculty Development and Research Committee (FDRC) to further support her research. Congratulations! We wish you all the best! – COFAC Dean’s Office

* Since this was written, Dr. Siegel was awarded a 2019 Georgian Papers Programme Fellowship from the Royal Collection Trust, London and Omohundro Institute of Early American History & Culture to conduct research at the Royal Archives at Windsor Castle!

Read more about Nancy Siegel, Ph.D.

siegel-nancy-op-sq.jpgBio: Dr. Nancy Siegel is Professor of Art History at Towson University and specializes in American landscape studies, print culture, and culinary history of the 18th and 19th centuries. Her current project, Political Appetites: Revolution, Taste, and Culinary Activism in the Early Republic, investigates the intersection among American art and political, horticultural, culinary histories. Most recently, she led the seminar, “Culinary Culture: The Politics of American Foodways, 1765-1900,” for the Center for Historic American Visual Culture at the American Antiquarian Society, Worcester, MA. She has authored/edited The Cultured Canvas: New Perspectives on American Landscape Painting (2012); River Views of the Hudson River School (2009); Within the Landscape: Essays on Nineteenth-Century American Art and Culture (2005); Along the Juniata: Thomas Cole and the Dissemination of American Landscape Imagery (2003); and The Morans: The Artistry of a Nineteenth-Century Family of Painter-Etchers (2001). Her work has appeared in Gastronomica, The Burlington Magazine, Nineteenth-Century Art Worldwide, and she has been the recipient of research grants and fellowships from the Smithsonian American Art Museum, the American Antiquarian Society, Yale University, Winterthur Museum & Country Estate, the Massachusetts Historical Society, the Culinary Historians of Chicago, the New York Public Library, and the State of New York.

Zoe Friedman | A Place in Time

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PRESS RELEASE
Zoe Friedman A Place in Time | November 29 – January 5, 2019
Opening reception: Thursday, November 29, 6-8 pm
Modella Art Gallery is pleased to present A Place in Time, an exhibition of recent and new work by Zoe Friedman, curated by Cassidy Petrazzi.

Through the mediums of collage, hand-drawn stop-motion animation, prints, sound, and sculpture, Friedman directly engages the viewer’s holistic body through immersive installation. Friedman’s work explores the wild and domestic, the strange and familiar, uniting faraway places with the objects that surround us in our daily life. Through collage and domestic, the strange and familiar, and ornamental design, Friedman’s lighthearted and intricate work evoke moments that center the mind on the beauty of nature and our connection to it. Animals and fauna are a prominent theme in her work, inhabiting imagined landscapes and kaleidoscopic environments.

A Place in Time showcases several recent works including a new two-channel video work titled, Idle Hour(2018). The piece is a collaged narrative of layered time and place made by combining photographs with paper cut-outs and hand-drawn imagery, enlivened through rhythmic sequence and repetition. At times the two-channels create a single panorama, at other points they mirror one another or show different perspectives entirely. The shifting viewpoints, as well as the movement between cut-outs and realistic photographic imagery, blurs the boundaries between flat and three-dimensional space and real or illusory landscapes.

Also exhibited is a suite of five works by the artist titled, Primavera I-V(2013). The works are large scale hand-cut panels based off the canonical work of the same name painted by Sandro Botticelli in 1482. Botticelli’s work is broken down by Friedman into five sections, each corresponding to their own panel, which depict the allegory of spring. The panels, which can be hung in front of a window or along a wall, cast shadows of the garden and graceful dancing figures. Shadows and light are an integral part of Friedman’s work, as the light changes throughout the day, Primavera, along with a selection of hanging mobiles seen throughout the space, cast shadows and meander across the walls and floor—they are dynamic works that engage time, light, and space.

Zoe Friedman earned her MFA from the Mount Royal School of Art at MICA in 2012. She is a recipient of the Henry Walters Traveling Fellowship (2012), and a Fulbright ETA Fellowship to Malaysia (2007). She has exhibited her work in solo shows across the country in Baltimore, Maryland, Washington DC, Oakland, California, Arlington Virginia, and Brooklyn, New York. In 2019 she will complete a large permanent installation in the Enoch Pratt Public Library in Baltimore, and she has an upcoming solo exhibition in Copenhagen Denmark. Friedman teaches art at Towson University in Maryland.