Live in the lining: A lupus warrior’s pandemic, by Michele Alexander

To understand my experience during the pandemic, you need to know four things:

  • I have lived with the chronic immune syndrome, SLE, or “Lupus” for 30+ years. Basically, my immune system works overtime and doesn’t pick the right fights, usually attacking my own body with lots of inflammation, often triggered by stress.
  • Before the pandemic hit, I was being treated for three serious conditions, “co-morbidities.” I’m a heart attack survivor with stage three kidney disease, and the third is too complicated to explain.
  • My husband runs a commissary, which is like a grocery store, with between 600-800 people in the store daily.
  • Just as the pandemic lockdown started, I developed a new mysterious illness that stumped the top doctors at Johns Hopkins.

Needless to say, I’m a “sicko,” and if the virus gets me, I’m a goner. 

I live with the unknown daily. It is what it is. Is a kidney transplant in my future? Will my lupus cause another heart attack? The openness and vulnerability expressed by Gabrielle Stanback in her recent post inspired me to share my point of view as someone with chronic illness. Lupus is sometimes called an ‘invisible disease.’ I have the insides of an old-timer. I like to joke that my body is a wonder—I wake up wondering what it’ll throw at me. I didn’t expect this. I look for silver linings everywhere because life is too precious to waste time in the rain.

In March 2020, when the pandemic hit, we didn’t know what to do. My husband’s job put him at great risk and he was panicked about bringing it home. He had almost lost me once from a heart attack. We didn’t know another way to relieve his anxiety and keep me safe. Silver Lining #1: A property we had been trying for a year was still empty. So, we cobbled together furniture and moved my husband 40 minutes away, not knowing what the future held. Managing the grocery store itself was stressful enough, and he was scheduled for hip surgery in May, so we hoped he would return home for his recovery. I hid a pack of love notes and funny cards, and a photo of the two of us in his suitcase. He dropped groceries on the porch weekly. We zoomed daily, though there was little talking. We celebrated anniversaries and birthdays remotely. It was very painful being away from each other. 

Parsing what you can and cannot control, finding things to distract you, and remaining positive when faced with obstacles is something I have always found helpful. I kept myself very busy doing things that either enjoyed or exhausted me. I wallpapered the bathroom. I doubled the size of my raised garden beds, I regraded part of my yard, walked my dogs 2x a day, picked up the guitar, “Marie Kondo’d” the house, and yes, ate lots of sourdough and chocolate. I’m so very thankful for the King Gimp exhibition that kept me very busy—and inspired by Dan Keplinger’s resolve. I learned how to be still, enjoy being at home, being by myself but not alone. Silver Lining #2: I learned new skills, knocked something off my bucket list, beautified the house, and rediscovered my passion for arts accessibility.

Living with a serious chronic illness is no joke. I’m so blessed to have a village around me. I couldn’t do it without them. Shopping for me, transporting me back and forth to the hospital, Zoomed Yahtzee nights…I’ve never felt the embrace of love so tightly before. When Daryl finally had his surgery (by then, it was back and hip), friends dropped off casseroles and the neighbor shoveled our driveway.

(Heads up, gross alert ahead!) The worst part about being sick, in my opinion, is not knowing what something is. If you can identify it, you can maybe do something about it. Unfortunately, at the end of March, I developed a mysterious painful bump on my back. By June, when medical offices opened, they discovered two massive infections (gross!) cysts. I had a procedure and they took nearly 2 liters of fluid out of my body! I lost 20 pounds. They drained me (really gross!) and I went home with tubes sticking out of my back four times. (really gross…yuk! My chance to play a Borg queen.) Despite many tests and a presentation at grand rounds, for literally everything on Earth they are still searching for answers. That’s Lupus, folks. Sometimes you’ve got to just go with the flow and listen to the doctors. Silver Lining #3: We have excellent health insurance at TU and Johns Hopkins is in Baltimore. I’m so grateful to every one of my doctors and nurses, who earnestly sought answers for me, treated me with kindness and skill under such intense conditions.

My pandemic officemates: Cowpie & Boomer

My husband’s surgery was postponed until fall and by then he needed hip + back surgery, which put him home for 16 weeks of recovery. So now he’s here 24/7. So I’ve now gotten the full pandemic experience. With him home from work until he could be vaccinated, we’ve never spent so much time together. Thanks to a colleague, I got an appointment as well. The vaccine is not likely to cover me as much as the normal person, but it should keep me from kicking the bucket, though I’ll probably wear a mask much longer than you, the reader.

Great change often follows chaos and disorder. Perhaps the grace and resiliency and new-found community will take us into our new tomorrow, bringing us new silver linings. I’m hopeful for the future. I hope you are too.

 

Michele Alexander ’94 is currently the COFAC Marketing and Public Relations Manager. Before returning to TU, Michele served as a marketing director at several professional theatres, most recently at Everyman Theatre in Baltimore. In addition to her gardening obsession, Michele makes music with her brother’s band in her spare time and is looking forward to playing in public in the future.

Art in Other Places by Kate Collins

“They Didn’t Know We Were Seeds” by Ana Maria Economou

Art in Other Places is a special topics course I designed and teach for the students in the M.A. program in Interdisciplinary Arts Infusion (MAIAI). In this class, students look across all of the various art forms to explore the many ways in which artists and arts organizations are engaging with vulnerable and marginalized communities. In the home video below, you’ll see the original spoken word poetry of TU graduate student, Jess Kless, who is an elementary school music educator in Anne Arundel County, now in her final year of the MAIAI program. And with the still photos, you’ll see the work of MAIAI graduate assistant, Ana Maria Economou, a fantastic teaching artist who specializes in ceramics, now in her final semester of the MAIAI program. Each student takes a deep dive into researching one particular population. Jess chose to focus on chronically ill children in the hospital setting and Ana Maria chose to focus on undocumented immigrants. Typically in this course, students take all of the research they’ve collected over the course of a semester and create a visual art installation designed to create greater awareness and understanding for the population itself and also the artists who strive to meaningfully engage and support them.

This year, students had the added challenge of using a large corrugated cardboard box as their main source of material for a 2D or 3D work. The photos of Ana Maria’s project show how she took up this task so skillfully. She crafted a unique box with imagery and text both inside and out, but especially noteworthy is the central element, a beautiful mask that she made using paper pulp in a clay mold. She titled her work They Didn’t Know We Were Seeds.

The video reflects yet another stellar project from Jess Kless. To account for the fact that we have graduate students with interests and skills in both visual AND performing arts, I decided to shake things up this Fall and bring in a performative option for the final projects. Given how it is often touted for its healing and transformative potential, the whole class had been introduced to spoken word poetry with a fantastic local guest artist, poet, and MICA faculty, Unique Robinson. The COFAC Diversity and Inclusion committee graciously funded Unique’s contribution to our class. For the final project, 5 of the 16 enrolled students volunteered to work with Unique to write and perform a poem with their research in lieu of an art installation. Each student had two coaching sessions with Unique and under her tutelage, they created some truly moving works. Synthesizing collected research and then being cautious to not speak on behalf of a population for which they are outsiders was no easy task, but these students rose to the task. Jess Kless really wowed us with her creative work titled This Room. Take a look…

"This Room" by Jess Kless
“This Room” by Jess Kless

MORE STUDENT WORK…

Artist: LaVerne Miers-Bond, MAIAI graduate and a high school art teacher, explored what she learned about art-making in and with Native American communities through the creation of a dynamic research poster that folds down into a book.
Artist: Gabrielle Amaro, current MAIAI student, and kindergarten teacher used a cardboard box and other repurposed materials to create a 100% touchable installation which captured what she learned about art-making in and with the visually or hearing-impaired community.
Artist: Sarah Zablotney, current MAIAI student and kindergarten teacher, explored what she learned about art-making with those who have intellectual or developmental disabilities through the use of text, image, and light.
Artist: Lauren Elfring, a current MAIAI student and K-12 art teacher, created a sculptural representation of her research combining her special skill with portraits along with cardboard, text, and image to explore what she learned about art-making with youth and adults on the autism spectrum.

 

About:

Kate Collins joined Towson University and became Program Director for the new Master of Arts in Interdisciplinary Arts Infusion (MAIAI program) in August 2014. Prior to this position, Kate was at Ohio State University completing her doctorate in Arts Administration, Education and Policy. Her action-research dissertation focused on socially engaged arts and cultivating the civic imagination of student and youth artists. Read more

With all of the hardships and difficulties brought by the pandemic, I have to say that the work my grad students did on their final projects in the Fall semester was an absolute silver lining. These students are largely working teachers and teaching artists so they already had a lot on their plates, but even so, every one of them truly stepped up for a really challenging task and just shined!