Wings Over Wall Street

Wing’s Over Wall Street’s first contemporary art installation ‘Close to you’: A Tribute to Karen Condron by Jim Condron, Adjunct Professor in the Department of Art + Design, Art History, Art Education.

Just like me, vintage bicycle, Karen Condron’s clothing, 72x65x10 inches, 2019

“Through adversity we find our heroes” – Steve Gleason

‘Close to You,’ an art installation to honor the memory of Karen Condron, will be featured at the Muscular Dystrophy Association’s annual Wings Over Wall Street Benefit Gala. The stirring exhibition includes ten sculptural installations by her son, the artist Jim Condron. Karen Condron passed away in July of 2018 after a nearly eight-year battle with ALS. She was the 2015 winner of the MDA Spirit Award and embodied all that the award represents.

To make the sculptural works, Jim Condron combines his mother’s clothing and shoes with materials such as a bicycle, a crib, mannequin arms, yarrow and straw to create intangible forms that express his mother’s ebullience throughout her life and the challenges of the disease. Each piece expresses the complexities of nostalgia and deep grief. The exhibition will also include personal photographs and ephemera that openly depict his mother’s joys, and her losses as ALS progressed through her body.

Jim Condron’s works of art honor Karen’s life and were created to raise awareness of the life-threatening effects of muscular dystrophy and muscle-debilitating diseases, such as ALS, and of MDA’s important mission to find a cure.

Gala / Exhibit Location: Building – 555 West 18th Street, New York City (at 11th Avenue) NY, NY. Registration Required. https://jcondron.com/wingsoverwallstreet/

Jim Condron

BIOGRAPHY: Originally from Long Island, NY and Connecticut, Jim Condron earned his MFA at the Hoffberger School of Painting at the Maryland Institute College of Art (2004) and a BA in Art and English from Colby College, Waterville, ME (1992). He also studied at the New York Studio School of Drawing, Painting and Sculpture (1993-’95). Since 1993, Condron has studied with Rohini Ralby, the artist’s mentor. His work appears nationally and internationally in galleries and museums as well as in corporate, university, public and private collections. Jim Condron is adjunct faculty in the Department of Art + Design, Art History, Art Education at Towson University.

Artist Statement: Condron’s pieces express humor, absurdity and beauty through the combination and interaction of everyday objects, castoff remnants and paint. Each piece is titled with a textual fragment from a story that intends to add to the work’s rhetoric rather than naming or defining it. Titles are applied to the pieces the same way Condron assembles materials and are appropriated from literature by an array of great authors such as Don DeLillo, James Salter, Anton Chekhov, Nikolai Gogol, Oscar Wilde, Hunter Thompson, Kurt Vonnegut, Ernest Hemmingway, Henry Miller, Anais Nin, and others. https://jcondron.com/

“Yin, Yang, and New York”

Edelweiss Calacagno, MFA Interdisciplinary Candidate, with a concentration in printmaking, painting, and sculpture, has just been accepted into the 58th Venice Biennale Art Exhibition 2019! The International Art Exhibition, titled May You Live In Interesting Times, is curated by Ralph Rugoff and organized by La Biennale di Venezia chaired by Paolo Baratta.  The exhibition will take place from May 11-24, November 2019 (Pre-opening on 8, 9, 10 May). Read more…

Artist Statement: My primary interest in abstract art is using a variety of techniques in painting, printmaking and sculpture. I utilize all kinds of material, including recycled ones, in order to convey my ideas. I explore how the intersection of different planes and line shapes can create illusions within distorted shapes, objects, letters, and words. Layering is an intrinsic element in my work; creating multiple perspectives gives the viewer more than one way to view my art. I use abstract art as a tool to talk about abuse, with the layers representing aspects of abuse and abuse survivors. By addressing abuse through my art, I strive to make people more aware of this taboo subject so that they can better understand and talk about it.  I also use different symbols to talk about this subject, such as the destructive act of tearing up or scratching my own prints and paintings, designs that mimic jail bars, feathers that represent bleeding wounds, and the layering of a variety of colors representing the changes in the life of a person. Learn more about Edelweiss Calcagno.